One Day On Earth
Directed by Kyle Ruddick
Associate Producer & Additional Editing
: Cari Ann Shim Sham*
Producer: Brandon Litman
Co-Producer: Daniel Lichtblau
Original Score: Joseph Minadeo
Editor: Michael Martinez
One Day On Earth music video
Directed by Kyle Ruddick
Edited: Cari Ann Shim Sham*
Track by Cut Chemist
Two imaginative sisters live their entire lives in 11 minutes on a couch.
Written & Directed by Rachael Lincoln
Choreography & Performance by Leslie Seiters & Rachael Lincoln
Director of Photography: RJ Muna
Editor/Narrator: Cari Ann Shim Sham*
Sound by Henrik Jakobbson
An original intersection of documentary, dance-for-camera, and dream-like fantasy, Two Seconds After Laughter creates a border-jumping dialogue on a universal irony: The heart longs most for the one place to which it can never fully return? home. With a narrative inspired by choreographer Sri Susilowati's experience of returning to her native Indonesia after 20 years of living and dancing in America, Two Seconds . . . is a meditation on the nature of memory; a cry of longing caused by separation; and a fable-like tale of the joys and emotional dislocation experienced by contemporary immigrant peoples.
Filmmaker: David Rousseve
Director of Photography/ Editor: Cari Ann Shim Sham*
Choreography & Dance by Sri Susilowati
BEST SHORT Audience Award at the San Francisco Dance Film Festival 2012
Jury Awards Nomination, DCF, NYC 2012
The film Sand tells the story of the history and evolution of sand dance as it is passed down from father to son.
Directed & Edited by Cari Ann Shim Sham*
Produced by Kyle Ruddick & Cari Ann Shim Sham*
Director of Photography: Ross Riege
Additional Cinematography by Phil Abrams & Kyle Ruddick
Sound by T.K. Broderick
Set Design by Will Pellegrini
Performers: Kenji and Darrow Igus
Best Short Documentary, Oxford Film Festival 2011
Finalist, Tallahassee Film Festival 2011
Best Director, First Glance Film Festival 2010
Click here for a full list of awards
*Screening Internationally
January is a dance for camera solo made within the real and imagined confines of winter. In a slate-walled room with chalk dust as snow, a woman follows her mind's small agitations as she meditates on the passage of time.
Premiered June 2009, Building Bridges Film Festival, Iran
Concept by Rachael Lincoln and RJ Muna
Set and Videography by RJ Muna
Choreography/Performance by Rachael Lincoln
Music by Low in the Sky
Editing by Cari Ann Shim Sham*
HDV, 3 minutes
*In Submission Process
Are You For Real? comments on the replicated technological body as Post-it notes fly onto the dancer to cover her up and act as an armor. The film physically addresses how the heavy American workload and multi-tasking fast pace of life can create a sense of splitting, causing a duplicated being to manifest.
Premiered Silverlake Fringe Fest, 2008
A Collaboration by Kyle Ruddick & Cari Ann Shim Sham*
Music by Low in the Sky
HDV, 3 minutes 54 seconds
*Screening Internationally
Create Awards, Silver Award Production/Post Production 2008
Cinedans, Jury Shorts 2008
Jumping Frames, Finalist 2009
My First Big Break premiers a new way of using and editing a 360-degree panoramic lens for SLR adapted to an HD video camera. Shot in one take with a cast of 17, the strategy of blocking, camera choreography and dance choreography was developed over a series of months in an intense collaborative process.
Premiered at REZfest San Paolo, Brazil 2009
Directed by Kyle Ruddick
Assistant Director: Cari Ann Shim Sham*
Produced by Eyestorm Productions
Music and Guest Appearance by Cut Chemist
Lead Dancers: Tom Lenk, Rachael Lincoln, Mark Stuver, d. Sabela Grimes, Raphael Xavier, Calvin Cheng, Lou Genise
*additional credits at end of film
HDV, 5 min 25 sec
Telly Award, Cinematography 2009
Telly Award, Music Video 2009
Video Installation for stage using a live dancer in an oversized skirt that is lifted by an unseen pulley system to become the screen for the film that is written onto the dancer's bum and underskirt.
Premiered at Performance Mix, Joyce Soho, NYC
Director/Editor/Co-Producer: Cari Ann Shim Sham*
In collaboration with Dancer/Co-Producer: Christine Suarez
Music by Low in the Sky
video/dance installation
5 min
An experimental dance for camera collaboration between director Cari Ann Shim Sham* and choreographer Jia Wu in which tree spirits that come out of a tree to dance and play. Created out of Eiko & Koma's Delicious Movement class.
Premiered at Dance Camera West, 2008
Director/Producer/Editor: Cari Ann Shim Sham*
Camera by Kyle Ruddick
Choreographed by Jia Wu
Music by Low in the Sky
HDV, 4 min 16 sec
Jumping Frames Dance Video Award 2008
Fly is an experimental film that flirts with the beauty of the naked body. This film explores the body in motion while playing visually with the lines and shapes created by the dancer. White flesh against black velvet is used to create stunning visual kaleidoscopic effects of the body in motion.
Premiered at Dance Camera West, Tree People
Editor/Dancer/Choreographer: Cari Ann Shim Sham*
Special Effects by Kyle Ruddick
Camera by Mark Eby
Music by Bog
DV, 3min
River Flow reveals the dance of the Los Angeles River as seen through the exploration of three women in white.
Premiered Dance Camera West, 2003
Editor/Dancer/Choreographer: Cari Ann Shim Sham*
Cinematography by Mark Eby
Music by Valis Vitalis
DV, 6 minutes
Falling is a site specific piece performed at the Hatch Gallery on Venice Blvd. in Los Angeles. It is a personal reflection on the dancer's experience of the 9/11 tragedy, made and performed 2 weeks after, featuring Bitch Co.
Premiered Dance Camera West, 2003
Editor/Dancer/Choreographer: Cari Ann Shim Sham* and Bitch Co.
Music by Valis Vitalis
DV, 9 minutes
Cari Ann danced with the UCLA Fowler Museum Nick Cave Soundsuits group directed and choreographed by Rachael Lincoln. Here's some photos from the KCRW event Soundsuits After Dark.
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My First Big Break Bleu The Life of the Party Strange Desire Give Some Love Today Fly Riverflow Falling Sublime Concrete Techtonic Shift Cabaret X |
2008 2007 2007 2006 2005 2004 2003 2003 2001 2000 1999 |
Lead Choreographer Choreographer Choreographer/Actress Choreographer/Dancer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer |
Music Video Short Dance for Camera Short Film Music Video Music Video Short Dance for Camera Short Dance for Camera Short Dance for Camera Interactive Dance Video Installation DVDROM Interactive Installation Pilot for HBO |
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I'm So Lucky Monitor Madness Boundary Line by the light of the tube DUM DUM Preshow Mr. Blue Sky Falling, Bitch Co. Falling, Bitch Co. Chandelier Girls Sloppy White Face BroKAmerikka Bubble Wrap Red Dress FAKE! |
2007 2006 2006 2005 2005 2005 2004 2002 2002 2001 2000 1999 1999 1999 1998 |
Choreographer Choreographer Choreographer/Performer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer |
Ivy Substation, Culver City, CA Ivy Substation, Culver City, CA Robert Frost, Culver City, CA Ivy Substation, Culver City, CA WAC is BACK, UCLA Kaufman Hall ALIS International Hotel Conference ALIS International Hotel Conference The Hatch Gallery, LA, CA The Brewery Artwalk, LA, CA Democratic Convention, Bergamot Station Cirque du Soleil Opening Party, LA, CA Henry Huang Theater, LA, CA "O" Cirque du Soleil Opening, Las Vegas "O" Cirque du Soleil Opening, Las Vegas Highways Theater, LA, CA |
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The Cradle Will Rock Chess Company Once on This Island Footloose Batboy The Who's Tommy Oliver History of American Film Ma Gba Gbe Once on This Island |
2007 2006 2005 2005 2004 2002 2002 2001 2001 1999 1998 |
Choreographer Choreographer Choreographer Director/Choreographer Asst.Director/Choreographer Asst.Director/Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer |
Sony Theater, AVPA Robert Frost, AVPA Sony Theater, AVPA Sony Theater, AVPA Robert Frost, AVPA Sony Theater, AVPA Robert Frost, AVPA Robert Frost, AVPA Chance Theater UCLA WAC Dept. UCLA Tiny Band |
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Dracula Ophelia Project Bernarda Alba Don Giovanni Hansel & Grettle Susannah Les Mamelles de Tirisias |
2004 2003 2002 1999 1999 1998 1997 |
Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer Choreographer |
Sony Theater, AVPA Robert Frost, AVPA Sony Theater, AVPA Royce Hall, UCLA LA Guild Opera UCLA UCLA |
Bitch Co.: A progressive dance-theater company intent on exploring femininity through an abstract multi-influenced body language whom collaboratively construct performances based on the female perspective for the world's public.
Performed in Los Angeles & Las Vegas at venues such as Bergamot Station, Highways, The Brewery, The Henry Huang Theater, Cirque Du Soliel events (Santa Monica & Las Vegas), Cannibal Flower, The White Rabbit, UCLA, Track 16, The Democratic Convention Los Angeles, & The Hatch.
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*Complete list of works and performances by Bitch Co. available upon request.
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Premiered at Glorya Kaufman Hall, UCLA, November 2008, Los Angeles, CA Videographer/Editor/Installation: Cari Ann Shim Sham* Choreographer: Krenly Guzman's evening-length dance piece |
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Premiered at The Red Mermaid, October 2008, Los Angeles, CA Director/Editor/Installation: Cari Ann Shim Sham* Video installation for site-specific night of performances by Viscera |
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West Coast Premiere at SDSU Choreographers: Rachael Lincoln & Leslie Seiters Dancer: Rachael Lincoln Editing and Video Installation by Cari Ann Shim Sham* Cinematography: Ron Estes |
Cari Ann is currently teaching the following dance classes weekly in Topanga Canyon...
Dancers learn traditional dances and drum rhythms from Guinea, Senegal, Burkina Faso, Haiti and St. Croix. All levels, teens and adults welcome. Featuring Master Drummer Henrik Jakobsson with additional drummers.
$20 Walk-in, Special: $100 for seven classes OR $65 for four classes (cash or check)
Yoga Desa
120 North Topanga Canyon Blvd
Pine tree Circle Center
www.yogadesa.com
This course introduces beginning tap technique and styles (including rhythm tap and Broadway tap), information about the cultural and historical origins of tap, and current trends and applications of tap in concert dance and musical theater. The students will examine a range of contemporary tap dance techniques found in films featuring tap dance and tap videos focusing specifically on rhythm, combinations and styling. Guest musicians will accompany the class and combinations taught will include the Shim Sham.
8 class session Feb 6-March 26
$20 Walk-in, Special: $100 for seven classes OR $65 for four classes (cash or check)
Ribbit Tree & Plant
301 Old Topanga Cnyn
Topanga, CA 90290
www.ribbittreeandplant.com
Lecturer
Live Online Event with Classroom 2.0
Lecturer for the Chew on this Series, World Arts & Cultures Dept
UCLA
Guest Lecturer for Arts Enlightenment , Professor Judy Mitoma
UCLA May
Guest Lecturer for Dance For Camera, Professor Anna B. Scott
UC Riverside
Guest Lecturer for Chi Pei Gan
University of Malaysia & ASWARA University of Malaysia
Over the next three weeks, 17 feature and seven documentary shorts will qualify for Academy Award consideration via the International Documentary Assn.'s 15th annual DocuWeeks Theatrical Documentary Showcase. . . .
SAND is screening as part of Docuweeks in Los Angeles Aug 19-25, which qualifies it for Academy Award Nomination!
Read more at http://austinfilmfestival.blogspot.com/2011/08/update-on-short-film-sand-which.html
In show biz vernacular the term, "shorts" is a reference to a short film as opposed a feature length one. In the case of the 15th Annual DocuWeeks Los Angeles Film Festival, there are several short films being presented for your consideration and the underlying theme . . .
That's L.A. tap dancer Kenji Igus, on the right, watching as his father, Darrow, releases a fistful of sand. Darrow is readying the stage for a "sand dance," . . .
Read more at http://blogs.laweekly.com/stylecouncil/2011/08/carrie_ann_shim_shams_sand_doc.php
Here are today's rankings for the 84th Oscar Documentary Short race, with previous ranking shown in parenthesis after each entry.
Read more at http://nevertooearlymoviepredictions.blogspot.com/2011/07/84th-oscar-documentary-short-updates.html
It would be fair to say that you could easily spend the whole duration of 2011 Cannes Film Festival in the Short Film Corner.
Read more at http://blogs.indiewire.com/shadowandact/archives/cannes_2011_-_short_film_corner_preview/
A batch of documentaries that have yet to secure theatrical distribution deals will be coming to a screen near you soon -- and will have the chance to score the ultimate filmmaking accolade: an Oscar.
Read more at http://latimesblogs.latimes.com/movies/2011/07/docuweeks-theatrical-run-oscar-qualifying.html
and will screen as a Finalist on Wednesday, May 18th at 10:30 - 12:30 in the American Pavilion Cannes Film Festival Emerging Filmmaker Showcase. . . .
Read more at https://www.tapdance.org/index.php?pid=178
Local Los Angeles artist and filmmaker Cari Ann Shim Sham's short film SAND is going to Cannes! SAND was screened at Dance Camera West?s Dance Media Film Festival last year . . .
Read more at http://www.dancecamerawest.org/blog/2011/05/sand-heads-to-cannes/
Dance is transformative, it has the ability to change lives through bonds that are not easily altered, dance has heart. The short documentary Sand, recently selected as a Finalist in the American Pavilion Emerging Filmmakers Showcase at Cannes, tells the story . . .
Los Angeles screen dance and dance filmmakers should be absolutely beside themselves with joy at the announcement that Cari Ann Shim Sham* is headed to Cannes. Her moving short film, SAND, has been invited to screen in The American Pavillion on May 18th, 10:30 AM. What does it take to get into the final 16 at the Pavilion?
Read more at http://afrological.com/dance-arts-breaking-international-news-sand-t
What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world's dance by offering a variety of new analytic approaches.
Buy it on Amazon
Cari Ann Shim Sham* serves as the coordinator and lead writer of the Educational Tool Kits for One Day On Earth. Over 400,000 students received this free kit which outlines methods for capturing images and editing film. The kits were created to . . .
Read more at http://la-ip.com/portrait-of-a-dinner-guest-cari-ann-shim-sham
When I heard about choreographer Lionel Popkin's There's an Elephant in This Dance happening at the REDCAT this past weekend, complete with interpretive dance and elephant costumes, my imagination went wild. Dancing elephants! Sign me up!
Read more at http://www.fineartsla.com/tag/cari-ann-shim-sham
Drunks allegedly see pink ones. The white ones of the species are hard to unload. Then there's the mascot of the Republican Party. We're talking elephants, those lovable beasts with steel-trap memories. . . .
Read more at http://latimesblogs.latimes.com/culturemonster/2010/05/dance-review-lionel-popkin-at-redcat.html
Cari Ann Shim Sham started an advanced youth tap group called the Tappa Tappa Tappas while chair of the Dance Dept. at the Culver City Academy of Visual & Performing Arts. In 2003, the academy and the group drew the attention of a young man by the name of Kenji Igus who's father "played the hambone and could sand dance" as she would later find out . . .
Read more at https://www.tapdance.org/index.php?pid=311
Cari Ann Shim Sham* is a Los Angeles based award winning filmmaker, multi faceted artist and avid mushroom hunter. She's trained as a musician, dancer, choreographer and clown. She came to UCLA in 1992 with a music scholarship for french horn. She quickly changed her major to dance and left the country for a year to study in Ghana, West Africa, '94-95. Upon her return she began her own small dance company Bitch Co., an all female performance art/dance company which performed at underground art gallery openings, raves and Cirque du Soleil parties. In the late 90's, Cari Ann began editing footage of her dance company and stumbled humbly into her film career. She made her first three films, Falling, Fly, and Riverflow in 2001, which were all screened by then fledgeling Dance Camera West. After seven years she retired her company and turned to arts education while continuing to make films on the side. Cari Ann chaired the Dance Department at Culver City Academy of Visual & Performing Arts from 2000-2008, while also returning to UCLA in '06 to pursue an MFA. During her three years of graduate school, Cari Ann produced nine films, and six installation projects. Her films began to screen internationally, winning awards, two of which became viral sensations, Are You for Real? and My 1st Big Break. After graduating in 2009, the International Journal of Screendance asked her to write a review of Karen Pearlman's Cutting Rhythms, for the 2010 journal. In the same year her film SAND began its festival run which included Official Selection at the Austin Film Festival, Best Director at the First Glance Film Festival, Best Mini Doc at St. Louis International Film Festival, Best Short Documentary at Oxford Film Festival, was a finalist in the American Pavilion Emerging Filmmaker Showcase at Cannes, and featured in Docuweeks, which qualified the film for Academy Nomination. At this time Cari Ann also began work on One Day on Earth with her partner and founder of the project Kyle Ruddick. Over the past four years, Cari Ann has served as Associate Producer, Additional Editor and the Educational Toolkit Author for One Day on Earth, the first film made in every country of the world on 10.10.10. This film was recently released on April 22, 2012, Earth Day, setting a world record for the most screenings on the same day, screened in over 160 countries. www.onedayonearth.org
At the end of 2010 she traveled to Java, Indonesia, to shoot Two Seconds After Laughter, an experimental short dance film about Sri Susillowati directed by David Roussève. An original intersection of documentary, dance-for-camera, and dream-like fantasy, Two Seconds After Laughter creates a border-jumping dialogue on a universal irony: The heart longs most for the one place to which it can never fully return—home. The film has screened internationally at festivals winning the San Francisco Dance Film Audience Award and nominated for the Jury Award by DCF in NYC.
Cari Ann formerly served on the Dance Camera West screening committee for five years under Lynnette Kessler's Direction 2006-2011, and spoke at their 10th Anniversary conference in 2011. She is now in her fourth year of curating for the Topanga Film Festival Dance Film Showcase in Los Angeles.
Her film SAND, a short doc that tells the story of the history and evolution of sand dance as it is passed down from father to son screened at Cannes, Austin Film Festival among many others winning Best Director from First Glance Film Festival, Best Mini Documentary from St. Louis International Film Festival and Best Short Documentary from the Oxford Film Festival and screened by Docuweeks, a qualifier for the Academy Awards in 2011.
Cari Ann is a passionate teacher whose workshops on Dance Film have occurred in Malaysia, Java, UC Riverside and CalArts. She also teaches Dance for Camera and Social Media at UCLA in the World Arts & Cultures Department, her alma mater. EMPAC Dance Movies Commission short-listed Cari Ann for the 2007-2011 grant cycles and she was the recipient of the Surdna Arts Teachers Fellowship in 2007. Cari Ann has worked closely with and been mentored by John Bishop, Roberta Shaw, Lynn Dally, Victoria Marks, Margaret Williams and David Roussève. She's currently working on film projects with, Jia Wu, Lionel Popkin & Lynn Dally and in development for projections for live dance theater work by David Roussève and Lionel Popkin to premier in 2012/2013. Meanwhile she is working on her first feature script with Thom Jordan.
Her live work has shown at the Joyce Soho, & Danspace in NYC, Highways Space, the Belagio: Las Vegas, Redcat, The Brewery, The Henry Huang Theater and Bergamot Station in Los Angeles, and film work namely at the Laemmle Sunset 7, Mann Chinese Theater, and the United Nations General Assembly as well as 60+ festivals internationally.